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9/11Stare Into The Lights My Pretties
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- Publication date
- 2017
- Usage
- Attribution-Noncommercial-Share Alike 3.0
- Topics
- jore, screen culture, susan greenfield, addiction, short attention span, gaming, mind change, computers, google glass, addictive, neuroplasticity, environment, sherry turkle, nicholas carr, internet, google, facebook, social media, shallow thinking, the shallows, alone together, katina michael, i forgot my phone, smartphone, social implications, learning, the spectacle, screen zombie, generation, digital, technocracy, social control, manipulation, the filter bubble, data mining, twitter, facebook, corporations, google, big data, analytics, spying, tracking, cambridge analytica, eli pariser, lewis mumford, technics, screen time, stare into the lights my pretties
- Language
- English
- Rights
- © Creative Commons 2013/17, BY-NC-SA.
- Item Size
- 34.6G
Detail
We live in a world of screens. The average adult spends the majority of their waking hours in front of some sort of screen or device. We’re enthralled, we’re addicted to these machines. How did we get here? Who benefits? What are the cumulative impacts on people, society and the environment? What may come next if this culture is left unchecked, to its end trajectory, and is that what we want?
Stare Into The Lights My Pretties investigates these questions with an urge to return to the real physical world, to form a critical view of technological escalation driven by rapacious and pervasive corporate interest. Covering themes of addiction, privacy, surveillance, information manipulation, behaviour modification and social control, the film lays the foundations as to why we may feel like we’re sleeprunning into some dystopian nightmare with the machines at the helm. Because we are, if we don’t seriously avert our eyes to stop this culture from destroying what is left of the real world.
Credits
Content creators and/or participants may or may not agree with the views expressed in this film, and all credit where credit is due is made out to respective creators, some of whom are: Em Styles, Katerina Vittozzi, Eric De Lavarène, Isabelle Delannoy, Brian Frank, Yann Arthus-Bertrand, Ivan Cash, Yordan Zhechev, Ron Fricke, Monika Fleishmann, Raymond Delacruz, Rob Featherstone, Michael Mcsweeney, Juan Falgueras, Trevor Hedge, Jean Counet, David Kleijwegt, Godfrey Reggio, Naomi Ture, Chris Zobl, Siddharth Hirwani, Melly Lee, Refik Anadol, Marc Homs, Schnellebuntebilder, Kyle Littlejohn, Tobias Gremmler, Marina Wanderlust, Kristopher Lee, Brandon Johnson, Nicolas Fevrier, Judd Frazier, Ben Stevens, David Fedele, Frank Wiering, Rob Mcbride, Vido Yuandao, Justine Ezarik, David Machado Santos, Vasco Sotomaior, Wolfgang Strauss, Kornhaber Brown, Matthew Epler, James Kwan, China Techy, BigThink, Gigaom, Inc. Magazine, The Guardian, TED, TEDx, BBC, ABC, CNN, Indymedia; and all further credit where credit is due for unknown or unattributed creators whose work appears.
A very heartfelt thank you to Kyle Magee, Stuart Brown, Katina Michael, M.G. Michael, Debra Protaseiwicz, Nathalie Crawford, Aleisha Manion, Claire Hilton, Christopher Brown, Matthew Brown, Rachel Williams, Liz Shield, Oliver Grabinski, Matilda Stevens, Rachel Clutterbuck, Matthew Storen, Steve Fraser, Andrew Protaseiwicz, Antonietta Melideo, Eric Crouch, Deanne Love, Masao Tamaoki, Lelia Green, Aleks Krotoski, Susan Greenfield, Eli Pariser, Sherry Turkle, Andrew Keen, Nicholas Carr, Roger Clarke, Derrick Jensen, Jerry Mander, Bruce Schneier, Lierre Kieth, Clifford Nass, Douglas Rushkoff, Evgeny Morozov, Jon Ronson, Lewis Mumford, Nafeez Ahmed, Angela Daly, Mikko Hypponen and Rebecca MacKinnon.
This film was made with no budget, not-for-profit, and is released to the world for free for the purposes of critical discourse, education, and cultivating social change.
Segments
1. Introduction
2. "Progress"
3. No Accident
4. Mindset (Screen Culture)
5. It's All About Me!
6. The Megamachine
7. Creeping Normalcy (Surveillance Camera Man)
8. Vegged Out
9. It's Full of Sugar and It Tastes So Nice
10. The Real World
11. Credits
